Posts Tagged ‘Behind’
Elvis Presley & Martina McBride – Behind The Scenes
The new video from the Elvis Presley Christmas Duets CD. Using state of the art technology, a new video for the Elvis and Martina McBride duet of “Blue Christmas” takes you back some 40 years ago to when Elvis first recorded this song, only this time, with Martina joining him. Now see how it was done. Take a look at this behind the scenes video!
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Devil’s in the Details – WATCHMEN Behind the Scenes – Episode 4; the Art of Dave Gibbons
WATCHMEN Special look Behind the Scenes. “The art of Dave Gibbons” www.bluntmation.com Thanks to Paramount and network PR for allowing me the exclusive privilege of bringing the Watchmen webisodes to youtube Direct from official sources and in the highest quality. Watchmen A complex, multi-layered mystery adventure,Watchmen is set in an alternate 1985 America in which costumed superheroes are part of the fabric of everyday society, and the “Doomsday Clock” – which charts the USA’s tension with the Soviet Union – is permanently set at five minutes to midnight. When one of his former colleagues is murdered, the washed-up but no less determined masked vigilante Rorschach sets out to uncover a plot to kill and discredit all past and present superheroes. As he reconnects with his former crime-fighting legion – a ragtag group of retired superheroes, only one of whom has true powers – Rorschach glimpses a wide-ranging and disturbing conspiracy with links to their shared past and catastrophic consequences for the future. Their mission is to watch over humanity…but who is watching the watchmen? from IMDB; In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so discover a deeper and far more diabolical plot. Written by evan murphy …
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The Story Behind Picasso’s Three Musicians
Image : http://www.flickr.com
Picasso‘s Three Musicians of 1921 is an exercise in flat shapes and two-dimensionality.Three Musicians demonstrates principles and observable characteristics of Synthetic Cubism.
In contrast to Analytic Cubism, developed between 1908 and 1912 by Picasso and Georges Braque, Synthetic Cubism is arrived at through a construction process rather than an intellectual breaking down of forms found in the real world such as cylinders, spheres, and cones. Synthetic Cubism is more decorative and experimental in nature than Analytic Cubism.
In this picture the flat planes and absence of the shading technique generally employed to intimate depth and realistic space anticipate the artist’s later foray into collage: the pinnacle or most extreme permutation of Synthetic Cubism.
With respect to the subject mater, Picasso‘s Three Musicians recalls a somewhat idealized bygone era of bohemian life. Here, Picasso in the guise of the central figure of the Harlequin, is flanked by the recently deceased Guilliame Apollinaire and longtime friend Max Jacob.
Furthermore, the Harlequin, it is important to note, is a recurring stand-in for the artist himself. A stock character of the traveling Italian comedic troupe known as the Commedia dell’Arte, the Harlequin absorbed lower-class connotations and was very much emblematic of the outsider status of the artist-performer.
The role of outsider, of course, had a strong appeal to Picasso and explains his recurring self-identification with the figure. By aligning his identity with that of the Commedia dell’Arte figure, Picasso drew emphatic attention to his isolated existence as an artist.
Picasso‘s substitution of the Harlequin for himself is a technique he first used between 1901 and 1905 during his Rose period. As a result Three Musicians is a painting that points to the past.
The reintegration of the Harlequin into Picasso‘s painting is perhaps indicative of the artist reconsidering his artistic and social identity. Still the revival of the Harlequin could also have more straightforward, formal implications. The figure’s signature costume of brightly colored, intensely patterned fabric could simply be an excuse for Picasso to further experiment with surface design and flat geometry.
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