Archive for the ‘pablo picasso’ Category:
Novelty Ties Inspired by the Art of Famous Artist Pablo Picasso
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There are many different styles of neckties to choose from. There are animal print styles, catchy sayings and phases, and even depictions from many famous painters, including Pablo Picasso. In fact, Picasso designed neck ties are one of the most famous and popular designs available, more so than Salvador Dali, Rembrandt, or even Michelangelo.
Famous Artwork Rendered on Neckwear
You can find an abundance of different neckwear inspired from Pablo Picasso, from contemporary designs like the Woman Playing Guitar, from his 1924 painting, or the Harlequin Leaning on His Elbow, based on his painting from 1901. There are even reprints of his more abstract and disturbing works, like The Smoker from 1969, and even ones by other artists who have been inspired by this famous painter.
One of these is the Abstract Picasso Woman, designed from a water color painting by Matilde Caceres-Zelinger, from Texas. This tie design is printed in brilliant colors and is ideal for any person with great taste. Another Picasso inspired necktie is the “Picasso” Apple, which is a digital collage of the original photo of a lopsided apple, inspired by many of Picasso‘s odd renderings. There are also many others to choose from, including many different reprints of original paintings.
Places to Purchase
So the question you may be asking is where you can get one of the Picasso inspired ties, and how much they cost. Well you may be able to find a few of them at department stores; however for the best selection and prices, it is a good idea to start online. There are many necktie manufacturers that have a wide selection of famous artist’s designs, including Ralph Marlin. These are available in silk or polyester, or even a mixture of materials, and are very reasonably priced.
For example, the Three Musicians, from 1921, is a brilliantly colored rendition made from silk and is reasonably priced. The Picasso Portrait Ovals collector necktie is black and white, and is filled with small ovals of Picasso‘s self portrait, available in polyester, for under $20 dollars. There are many other styles to choose from as well. In order to get the best deals it is a good idea to shop around, since prices may vary. Also be sure to check for other costs as well, such as shipping, taxes, and even exchange rates. Some companies provide free shipping, for orders over a certain amount.
When choosing an online dealer, make sure you read all the fine print. Check for their return policies, and any guarantees that may be offered. It may also be a good idea to also check with one of the online auction houses. There are many deals there you may not find anywhere else. One thing of concern with auction houses is that many ties may not be brand new, which is not a problem if they are in excellent condition.
Conclusion
So if you want to stand out from the crowd, express your own style, or even show your appreciation for fine art, do it with Picasso inspired neckwear. Each is unique, is available in black and white or color, and will definitely set you apart from the rest of the office. Not only do men’s ties represent many of Picasso‘s famous works, but they also make for a unique topic around the water cooler.
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Pablo Picasso – The Artist and His Muse
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Pablo Picasso defined Modern Art just as Einstein defined the word “scientist.” Picasso was the colossus brand ambassador of Cubism and Abstract Art. However, greater the fame he achieved with his brush, the more degenerate his relationships became. Pablo Picasso‘s art, despite of or maybe because of his failed relationships, infidelity, and vengefulness, reflected emotional sourness, which made them world famous.
Pablo Picasso faced his first tragedy at the death of his sister, Conchita, when he was just seventeen. This left a very deep impression on him. Although Pablo never bordered on the edginess of Goya or Van Gogh or Gauguin, he had his share of mistresses and lovers. Most of Pablo‘s relationships with them ended bitterly. What would start as a hero worship would end with the accusations of infidelity and abuse. This story repeated itself several times, as Picasso‘s art grew from Realism to Blue, Rose, Africanism, and Cubism. The funniest part was that, as Pablo Picasso seems to have “phases” in his art; his women also were “in phases.” For every segment of his works, it is easy to single out a different woman.
Pablo Picasso‘s first long-term mistress was Fernande Olivier, who was a fellow artist of his. Olivier was the muse, who graced his “Rose” period works. The colors in Rose Phase Paintings were primarily bright Orange, and Pink. Happy characters such as, Circus Artisans and Harlequins graced Pablo Picasso‘s Canvas. It could be said that maybe the young Picasso was in love. However, as his art gained value, he left Olivier for Eva (Marcelle Humbart), now making her the queen of his “Cubist” works. Many mistresses later, Picasso tried his hands at marriage with Ballerina Khokhlova. Khokhlova was a high society woman, who tried making the bohemian Pablo to “civilize” himself with high-class parties, outings, and powerful friends. The couple did not go far with their marriage, as Picasso fell in love with a seventeen-year old damsel, Marie-Thérèse Walter. This was at most an infatuation for the young woman but Picasso fathered a girl with her and Marie lived in the false hope that Picasso would marry her one day. Of course, Picasso, who backtracked, disappointed her. Ditched badly, Marie hanged herself. Khokhlova, of course could not take well the philandering of her husband. Picasso however, refused to divorce her, fearing a division of his fortune. The couple remained separated until Khokhlova Died in 1955.
Another constant influence in Picasso‘s life was the painter Dora Maar, with whom he had a parallel relationship (the closest was in 1930′s). She featured as his Muse in most of his Abstract Works and was responsible for documenting his most famous work “Guernica.” After the liberation of France, Pablo Picasso fell in love with a French art student, Francois Gilot. Their affair lasted for 9 years, with the only twist this time being, it was Gilot, who left Picasso. Pablo was heartbroken, though took his revenge by making her divorce her husband, while he himself solemnized his second marriage with Jacqueline Roque.
Pablo Picasso‘s life is as much a study of his craft as his psychology. One can view him as a philanderer or as an artist who refused to be tied down to one Muse. Perhaps his folly was in seeing only a muse where he should have seen a companion. However, perhaps then, we would not have the geniuses of Picasso.
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Success Coaching Tip – Action – Take It Or Leave It
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Pablo Picasso said that “Action is the foundational key to all success.” And this is the one thing that many people who say that they want success simply fail to do.
Taking action causes fear in some people because they are scared as to the outcomes of such action. They do not know if they will be successful and so some hide behind the fear of failure. Then the fear generated by this failure starts to build a self-fulfilling prophecy.
Yet, it is my belief that since many people are comfortable with failure (more than they are willing to admit), they are really fearful of achieving success. What will I do if I am successful terrifies them.
Simply speaking, action is the fulcrum to master success. You can awake each morning running to embrace the incredible opportunities within the day or struggle out of bed dreading each looming minute. If the goal is to master success, it begins each and every morning with those first few thoughts that you have as you quickly contemplate your next actions.
Regardless if you like the artistic endeavors of Pablo Picasso, he had some great insight as to the nature of success and how to master success. He said “Some of us will do our jobs well and some will not, but we will be judged by only one thing – the result.”
Picasso understood the challenges that individuals face when taking action. He said We would accomplish many more things if we did not think of them as impossible. Henry Ford also said this in his words “Whether you think you can or think you cannot, either way you are right.”
Embrace this success coaching tip each morning. You have the ability to take action to make each and every day one of incredible abundance and peace. And, you may just be surprised by the results.
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The Story Behind Picasso’s Three Musicians
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Picasso‘s Three Musicians of 1921 is an exercise in flat shapes and two-dimensionality.Three Musicians demonstrates principles and observable characteristics of Synthetic Cubism.
In contrast to Analytic Cubism, developed between 1908 and 1912 by Picasso and Georges Braque, Synthetic Cubism is arrived at through a construction process rather than an intellectual breaking down of forms found in the real world such as cylinders, spheres, and cones. Synthetic Cubism is more decorative and experimental in nature than Analytic Cubism.
In this picture the flat planes and absence of the shading technique generally employed to intimate depth and realistic space anticipate the artist’s later foray into collage: the pinnacle or most extreme permutation of Synthetic Cubism.
With respect to the subject mater, Picasso‘s Three Musicians recalls a somewhat idealized bygone era of bohemian life. Here, Picasso in the guise of the central figure of the Harlequin, is flanked by the recently deceased Guilliame Apollinaire and longtime friend Max Jacob.
Furthermore, the Harlequin, it is important to note, is a recurring stand-in for the artist himself. A stock character of the traveling Italian comedic troupe known as the Commedia dell’Arte, the Harlequin absorbed lower-class connotations and was very much emblematic of the outsider status of the artist-performer.
The role of outsider, of course, had a strong appeal to Picasso and explains his recurring self-identification with the figure. By aligning his identity with that of the Commedia dell’Arte figure, Picasso drew emphatic attention to his isolated existence as an artist.
Picasso‘s substitution of the Harlequin for himself is a technique he first used between 1901 and 1905 during his Rose period. As a result Three Musicians is a painting that points to the past.
The reintegration of the Harlequin into Picasso‘s painting is perhaps indicative of the artist reconsidering his artistic and social identity. Still the revival of the Harlequin could also have more straightforward, formal implications. The figure’s signature costume of brightly colored, intensely patterned fabric could simply be an excuse for Picasso to further experiment with surface design and flat geometry.
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The Beginnings of African Art
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Although it has still not yet been proven, many scholars think that the rock paintings discovered in the Ahaggar Mountains in Algeria and Libya may have been done by the first African inhabitants. These rock paintings were probably done over 4000 years ago. The more acceptable origin of African art is the cave and rock paintings of South African bushmen that mostly depict men hunting animals. It is notable that the physical illustrations of the men have European and Asian, as well as African, characteristics. In the northern part of Nigeria, archaeologists have found sculpted heads made out with red clay also known as terra cotta. The heads were not in a very good condition, but were tested and found to be originally parts of statues that were about 2000 years old.
A closer look will reveal that there are great gaps in the history of African art, largely because most of its art was done in wood which does not last very long. These wooden pieces of art were easily destroyed when they were used in ceremonies, by rotting, or by termites. However in several areas of Africa, some of their art was done in metal and thus lasted longer. In what is now known as the western region of Nigeria, ancient artists had learned to use metal in the 13th century. They made their statues out of beeswax which they dipped in thick, wet clay. When the clay was dry, the statue was then heated to melt the wax. Then a hot, molten metal was poured into the clay mold where the wax had been. When the metal cooled and hardened, the artist broke the clay mold, leaving a metal statue.
The famous heads and carvings in metal casings and ivory represent as high an artistic achievement as anything done anywhere in the world at that time. These sculptures were very naturalistic (the artwork looked like the actual object it was meant to represent) unlike most other African art. The artist used name animals, birds, leaders, warriors and human heads for subject matter. Ivory was also used frequently, especially in the old kingdom of Benin. Benin art is actually closer to classical Western art than any other art created in Africa. As the Benin kingdom gradually died out, naturalistic art died along with it. It is still unknown what the influences were that resulted in the rapid growth of naturalism during this time, but whatever they were, they had long disappeared.
Toward the end of the 19th century, there had been a sudden surge of interest from the Western world toward African art. European artists discovered that African art had a rhythm, vitality and a unique use of distortion to accent certain elements that had been missing from recent Western art. Pablo Picasso is said to be one of the greatest fans of African art. It has been told that Picasso saw his first piece of African sculpture while dining at the apartment of another great artist, Henri Matisse. Picasso had supposedly been almost hypnotized by the sculpture and held it silently throughout the entire evening. When he went home, he started a painting and worked on it through the whole night and into the next day. In the painting, he used the basic forms of the African sculpture. It was probably at this very moment, if such a moment can be fixed, that African art that was previously called “savage” had begun to influence the art of our century.
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Where Can I find A Picture Of Mona Lisa?
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We may never know all of the Mona Lisa’s secrets, but surely the history of the painting and it’s worldly travels has only helped in making the image so sought after.
Asking “What country is the Mona Lisa in?” or “Where is the Mona Lisa located?” does not do justice to how far the Mona Lisa has travelled in it’s lifetime.
Arriving In France
In the beginning, when first painted by Da Vinci, the Mona Lisa never left his side. He started work on the piece in 1502 and completed it in 1506 (some argue it took much longer to complete, or was never actually finished). When Da Vinci left Italy for good in 1516, he took the Mona Lisa with him to the French village of Cloux, near the King’s summer palace at Amboise on the Loire.
Following Da Vinci’s his death in 1519, it was purchased by King Francois I who kept it at Fontainebleau. Later King Louis XIV moved it to his new palace in Versailles. The painting remained there until after the French Revolution. As to what king kept Mona Lisa after the revolution, it was not a King exactly but an Emperor, Napoleon. He had it mounted in his bedroom in the Tuileries palace for a short period, before having it moved to the Louvre.
Of course, it didn’t remain in the Louvre from the 18th century until today. After Napoleon was removed from power, Louis XVIII had the painting replaced by a copy. In 1870, the painting was removed to an undisclosed location somewhere in France due to the Franco-Prussian Wars. Finally restored to the Louvre in 1872, it remained there until 1911.
How the Mona Lisa Was Stolen
On the morning of August 22, 1911 the Mona Lisa was found to have been stolen. The crime prompted the arrest of French Poet Guillaume Apollinaire and painter Pablo Picasso, both of whom were quickly released. After being gone for two years many people thought the Mona Lisa was lost forever, until Louvre employee Vincenzo Peruggia attempted to sell to an art dealer in Florence.
As it turned out, Peruggia had the painting the entire time, having simply waited until the museum closed and walked out with it under his coat. Believing it was best kept in Italy not France, Peruggia eventually gave into the monetary love for the painting and was caught. Despite the growing nationalism in Italy, which later grew in to Mussolini’s Facist regime, the Italian government did not want an international spectacle over where the painting belonged, so after a series of exhibitions in Italy, it was returned to the Louvre in 1913.
During the second World War, again the painting removed for safety, first to Château Amboise, then to the Loc-Dieu Abbey and finally to the Ingres Museum in Montauban.
Where is the Mona Lisa Today?
Housed in the Salle des États portion of the Louvre in Paris, France, the Mona Lisa, officially known as No.779, is found surrounded by bulletproof glass and the careful attention of climate control to keep it from deteriorating. Millions visit Paris and the Louvre every year to see a painting that represents an entire movement in human history, and with such a colourful history all by itself, the Mona Lisa is an icon.
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The Vital Aging Secret Betty White Knows All About
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What’s the vital aging secret that Betty White knows all about? Life doesn’t end until it ends.
This line appeared in an article on Golden Girl, Betty White, in a recent Newsweek article. I love that Betty White is a hot commodity at age 88 because she’s giving all of us another positive role model for vital and successful aging. Her appearance on Saturday Night Live on May 8, 2010 not only made her the oldest host ever and resulted in huge ratings, she also showed the world that her wit and comedic timing are still as sharp as ever. And best of all, she looked like she was having a ball!
Betty White isn’t alone in living life to the fullest. People who follow their passion know all about this and have been doing it for decades. I think of role models like Pablo Picasso who produced more work in the last two decades of his life than at any other time. I think of Frank Lloyd Wright who worked on the Guggenheim Museum until his death at age 91. I think of Grandma Moses who started painting seriously at age 78 and continued until her death at age 101. I think of U.S. Poet Laureate, Stanley Kunitz, who pursued his passion for poetry until his death at age 100.
People who follow their passion don’t stop what they love doing because of age. They fully understood that life doesn’t end until it ends and they continue making the most of every day they’re given.
People who won’t let dreams die also know all about this. I think of George Dawson who was the son of a former slave and someone who had always dreamt of learning to read. He didn’t think he was too old to do this when he joined an adult literacy program at age 98. He continued attending program classes until his death at 103 and fulfilled his dream.
But that’s not the whole story. By going after his dream, George had the opportunity to co-author a book about his life called Life is So Good that led to a book tour and speaking at several national book festivals. Here’s my favorite George Dawson quote: “Ever since I turned a hundred, life has been busy.” Think you’re too old to go after a dream? Then think of George Dawson and put that thought OUT of your mind. Life doesn’t end until it ends.
People who believe they can make a difference in the world know all about this too. I think of Doris “Granny D” Haddock who earned her fame by walking across America in her 90th year to promote campaign finance reform. You can read about this experience and her wonderful insights about life and aging in the book that she co-authored with Dennis Burke.
I was reminded of Granny D and her story earlier this year when I read of her death at age 100. Family friends noted that Granny D’s age was not a factor in what she did. She never gave up. Until the end, she was still advocating for causes she believed in. My favorite Granny D quote: “I have not lost my reason to live… I want to plant a few more seeds here and there before they plant me.”
Opportunities for planting new seeds and positively impacting the world around you don’t end at a certain age. If you think they do, think of Granny D and then think again. Life doesn’t end until it ends.
The great news is that stories like these are becoming more and more commonplace with our growing aging population and the shattering of old stereotypes. And role models for vital and successful aging and FULL LIFELONG LIVING can be found anywhere and everywhere.
You just need to look for them – and seek them out – and follow their lead. Their positive examples are becoming the new norm for how later life is meant to be lived. It’s really true. Life doesn’t end until it ends.
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Pablo Ruiz Picasso – The Master of 20th Century Art
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Born on October 25, 1881 in the city of Malaga, Spain, Pablo Ruiz Picasso is considered one of the masters of the 20th century art.
Picasso‘s full name is Diego Jose Santiago Francisco de Paula Juan Nepomuceno Crispin Crispiniano de los Remedios Cipriano de la Santisima Trinidad Ruiz Blasco y Picasso Lopez. He was the son of José Ruiz y Blasco and Maria Picasso y Lopez. During Picasso‘s early years, he used to sign his name as Ruiz Blasco, taken after his father. Since 1901, he started using his mother’s name whenever he signed his name.
Picassos is attributed to be the founder of Cubism together with Georges Braque. However, during his lifetime, he created an extensive and different body of works such as arts that featured moving representation of beggars, prostitutes, acrobats, and harlequins.
When Picasso was younger, he started as a painter. He firmly believed that for an artist to be considered as a “true artist” one must learn how to paint. Picasso also worked with collage, bronze sculptures, small ceramics, and even written some poetry. When he’s not working, Picassos wanted to be in company of people. In fact, he maintained a good relationship with many of his friends like Andre Breton, Gertrude Stein, and Guillaume Apollinaire among others. Aside from his wife, he also kept a number of mistresses.
Picasso‘s “Guernica” is believed to be his most famous work of art. In the canvas, he depicted the bombing of Germany in Guernica, Spain. Said canvass signified the brutality, hopelessness, and inhumanity of war. At present, “Guernica” is on display at Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain.
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Impressionism – Matisse, Klimt, and Picasso
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The early 20th century art scene is arguably one of the most exciting periods of art. The artists of the time were beginning to have liberties that they had never previously had. There was a newfound freedom and ability to work in ways that had never before been accepted in the art world. Sometimes this new sense of freedom created a lot controversy. This controversy was certainly evident in the works of Matisse, Klimt, and Picasso.
The Woman with the Hat is an oil painting done on stretched canvas. It was painted by Henri Matisse in the year 1905. It is thirty one inches tall and 23 inches wide. It is currently at the San Francisco Museum of Modern Art.
The style of Matisse used in The Woman with the Hat would later cause Matisse to react against his earlier fauvist style. Fauvism, is a style that is characterized by large brush movements and very bold color uses. The word fauves literally translates to mean “wild beasts.” In The Woman with the Hat, Matisse created a piece where the colors were very aggressively applied to the canvas.
Matisse brought The Woman with the Hat to 1905 Salon d’Automne. At the Salon, Matisse’s work created a large controversy. The subject matter, a clothed lady was by no means controversial. Instead it was the manner in which Matisse painted the woman. The Woman with the Hat uses very crude drawing, sketchy buswork, and colors that seem extremely arbitrary towards the final composition. Overall, it creates a lot of dissonance in piece and this dissonance was largely what people were reacting against.
The Kiss is a painting by the artist Gustav Klimt. It is a work done on stretched canvas in the medium of oil paint. It was painted between the years 1907 and 1908. It is an extremely large piece measuring at five feet, ten inches by six feet in size. It is currently located at Osterreichische Nationalbibliothek in Vienna.
The Kiss is a painting done in the style of Art Noveau. Art Noveau was also sometimes referred to as Sezessionstil because it was largely associated with the succession of Viena. Art Noveau was a group of artists that was started in the late nineteenth century. It was an extremely progressive group of artists who seceded from conservative academics in and attempt to form dramatically more liberal associations.
Gustav Kilmt is one of the artists who was heavily involved in the sucession movement. Between 1907 and 1908 he worked in what has become known as his golden style. This style is represented In The Kiss. This style became known as his golden style to his usage of the color gold. The main figurative element of The Kiss is two couples embracing in a kiss. This couple is surrounding in an aura of gold.
The couple represented in The Kiss are in a state of tension. The body language of the woman especially does not point to the relationship being completely desired by both parties. This was largely intended as a political message. The Secession was a revolt against the political powers of the time. In Klimt’s work, The Kiss, the woman in the figure is meant to be representative of Vienna; not entirely into the relationship and wanting to break apart.
Les Demoiselles d’Avignon is work of oil on canvas. It was created by Pablo Picasso in 1907. It’s a very large work and is eight feet by seven feet, eight inches. It is housed in The Museum of Modern Art, in New York City.
Pablo Picasso is one of the most famous cubist painters and sculptors. His work, Les Demoiselles d’Avignon is a cubist works. One of his influences was Iberian figurative works. This Iberian influence is largely apparent in Les Demoiselles d’Avignon, especially in the facial configurations of the thre three woman on the left side of the piece. The figures in Les Demoiselles d’Avignon are somewhat simplified. They have very paired down features with wide eyes that are shaped like almonds.
The two women on the right hand side of Les Demoiselles d’Avignon are painted in a dramatically different style then the women on the left. These woman were painted in a style that was inspired by African masks that Picasso had seen in a show in Paris. Les Demoiselles d’Avignon was intended as a response to Matisse’s work Le Bonheur de Vivre, which was done in a style more similar to the French classical tradition.
Les Demoiselles d’Avignon was certainly not a tradition piece. The title is somewhat misleading. Les Demoiselles d’Avignon literally translates to “The Woman of Avignon,” however the Avignon that Picasso was referring to was the Avignon which is the red light district of Barcelona. While “demoiselles” literally translates to mean “young woman,” it is also a euphemism for prostitutes. Many in the art world, including Picassos friends were horrified by the subject matter of the piece.
Matisse, Klimt, and Picasso were all controversial artists. Often their work was not purely about their work. It was about politics, about society, and about the culture of the time. Their works were sometimes intended to be controversial. They were always meant to incite an emotional and/or intellectual reaction by the viewer. In this regards, these works from the early twentieth century are extremely exciting.
The early 20th century art scene is arguably one of the most exciting periods of art. The artists of the time were beginning to have liberties that they had never previously had. There was a newfound freedom and ability to work in ways that had never before been accepted in the art world. Sometimes this new sense of freedom created a lot controversy. This controversy was certainly evident in the works of Matisse, Klimt, and Picasso.
The Woman with the Hat is an oil painting done on stretched canvas. It was painted by Henri Matisse in the year 1905. It is thirty one inches tall and 23 inches wide. It is currently at the San Francisco Museum of Modern Art.
The style of Matisse used in The Woman with the Hat would later cause Matisse to react against his earlier fauvist style. Fauvism, is a style that is characterized by large brush movements and very bold color uses. The word fauves literally translates to mean “wild beasts.” In The Woman with the Hat, Matisse created a piece where the colors were very aggressively applied to the canvas.
Matisse brought The Woman with the Hat to 1905 Salon d’Automne. At the Salon, Matisse’s work created a large controversy. The subject matter, a clothed lady was by no means controversial. Instead it was the manner in which Matisse painted the woman. The Woman with the Hat uses very crude drawing, sketchy buswork, and colors that seem extremely arbitrary towards the final composition. Overall, it creates a lot of dissonance in piece and this dissonance was largely what people were reacting against.
The Kiss is a painting by the artist Gustav Klimt. It is a work done on stretched canvas in the medium of oil paint. It was painted between the years 1907 and 1908. It is an extremely large piece measuring at five feet, ten inches by six feet in size. It is currently located at Osterreichische Nationalbibliothek in Vienna.
The Kiss is a painting done in the style of Art Noveau. Art Noveau was also sometimes referred to as Sezessionstil because it was largely associated with the succession of Viena. Art Noveau was a group of artists that was started in the late nineteenth century. It was an extremely progressive group of artists who seceded from conservative academics in and attempt to form dramatically more liberal associations.
Gustav Kilmt is one of the artists who was heavily involved in the sucession movement. Between 1907 and 1908 he worked in what has become known as his golden style. This style is represented In The Kiss. This style became known as his golden style to his usage of the color gold. The main figurative element of The Kiss is two couples embracing in a kiss. This couple is surrounding in an aura of gold.
The couple represented in The Kiss are in a state of tension. The body language of the woman especially does not point to the relationship being completely desired by both parties. This was largely intended as a political message. The Secession was a revolt against the political powers of the time. In Klimt’s work, The Kiss, the woman in the figure is meant to be representative of Vienna; not entirely into the relationship and wanting to break apart.
Les Demoiselles d’Avignon is work of oil on canvas. It was created by Pablo Picasso in 1907. It’s a very large work and is eight feet by seven feet, eight inches. It is housed in The Museum of Modern Art, in New York City.
Pablo Picasso is one of the most famous cubist painters and sculptors. His work, Les Demoiselles d’Avignon is a cubist works. One of his influences was Iberian figurative works. This Iberian influence is largely apparent in Les Demoiselles d’Avignon, especially in the facial configurations of the thre three woman on the left side of the piece. The figures in Les Demoiselles d’Avignon are somewhat simplified. They have very paired down features with wide eyes that are shaped like almonds.
The two women on the right hand side of Les Demoiselles d’Avignon are painted in a dramatically different style then the women on the left. These woman were painted in a style that was inspired by African masks that Picasso had seen in a show in Paris. Les Demoiselles d’Avignon was intended as a response to Matisse’s work Le Bonheur de Vivre, which was done in a style more similar to the French classical tradition.
Les Demoiselles d’Avignon was certainly not a tradition piece. The title is somewhat misleading. Les Demoiselles d’Avignon literally translates to “The Woman of Avignon,” however the Avignon that Picasso was referring to was the Avignon which is the red light district of Barcelona. While “demoiselles” literally translates to mean “young woman,” it is also a euphemism for prostitutes. Many in the art world, including Picassos friends were horrified by the subject matter of the piece.
Matisse, Klimt, and Picasso were all controversial artists. Often their work was not purely about their work. It was about politics, about society, and about the culture of the time. Their works were sometimes intended to be controversial. They were always meant to incite an emotional and/or intellectual reaction by the viewer. In this regards, these works from the early twentieth century are extremely exciting.
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Pablo Picasso – Great Artist of the 20th Century
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Pablo Picasso was born in 1881 and dies in 1973. Pablo Picasso was a major force in art of the 20th century. His work led many movements and is still a major influence on contemporary art. He made the strongest move to abstraction in the art world of the time with his Cubistic style of painting.
Pablo Picasso was born in Malaga, Spain. His father was a painter of nature, especially birds. Picasso‘s father was a professor of art in the School of Crafts. Picasso showed an interest in art from an early age. Picasso attended art schools through most of his childhood, some of those classes were taught by his father. He decided not to finish art college at the Academy of Arts and left before completing his first year.
In Paris, Picasso associated with a distinguished group of friends. Cubism was began by Picasso and Georges Braque and was the first well developed movement that used abstraction as its basis in depicting form. Picasso is also well known for his experimentation with color. He was one of the most revolutionary of all the modern artists. Working in paint, sculpture, ceramics and prints – many of his works of art have become icons in the world culture.
Pablo Picasso affiliated with artist Georges Braque and was one of the co founders of Cubism, but he co founded other art movements as well. Picasso was a leader of the Paris art scene for some time. The art of Pablo Picasso influenced many artists by his movement to geometric and abstract form. Because of his involvement in revolutionary movements he will always be seen as an innovator. He is considered one of the best artists in art history, as well as one of the most influential of all artists on contemporary art. He is one of the most researched artists as well as being one of the most popular.
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